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・ Julius Stockhausen
・ Julius Stone
・ Julius Strauss
・ Julius Strauss (photographer)
・ Julius Street Flats
・ Julius Streicher
・ Julius Stumpf
・ Julius Sturm
・ Julius Sumner Miller
・ Julius Sundblom
・ Julius Sundsvik
・ Julius Sämann
・ Julius T. Csotonyi
・ Julius Tafel
・ Julius Tandler
Julius Tannen
・ Julius Thalmann
・ Julius the Cat
・ Julius the Veteran
・ Julius Theodor Christian Ratzeburg
・ Julius Theodore Melchers
・ Julius Thomas
・ Julius Thomas Fraser
・ Julius Thompson
・ Julius Thomson
・ Julius Thomson (fencer)
・ Julius Thomson (rower)
・ Julius Timothy
・ Julius Tomin
・ Julius Tröger


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Julius Tannen : ウィキペディア英語版
Julius Tannen

Julius Tannen (16 May 1880 – 3 January 1965) was a comedian – or monologist, as those of his era were known – who had a long and successful career in vaudeville. He was known to stage audiences (and respected by other monologists) for his witty improvisations and creative word games. He had a successful career as a character actor in films, appearing in over 50 films in his 25-year film career. He is best known to film audiences from the musical ''Singin' in the Rain'', in which he appears as the man demonstrating a talking picture early in the film.
==Early career==
Tannen was born in 1880, and never intended to become a performer. As a young man, he was a salesman whose pitch was so good that he began to get offers to entertain at parties. He made his professional vaudeville debut at the age of 21, and soon developed into a monologist, the predecessor to today's stand up comic. He would frequently end his routines before the payoff of the story, allowing the audience to complete it for themselves, and exited with the phrase "My father thanks you, my mother thanks you, my sister thanks you, and I thank you," which was co-opted by the young George M. Cohan.〔Eder, Bruce (Biography (Allmovie) )〕
Tannen made his Broadway debut in 1905, in a musical comedy called ''Lifting the Lid'' and went on to appear in three other productions in the next year. As a vaudevillian, he played the Palace Theatre in New York City – the apex of vaudeville performing – more often that almost any one else,〔 indicating that he was at the peak of his profession. He appeared again on Broadway in 1916, and returned again in 1920, in a comic play with music, ''Her Family Tree'', for which he received credit for writing his own scenes. Tannen was also seen in two editions of ''Earl Carroll's Vanities'', in 1925 and 1926,〔 and in ''George White's Scandals.''〔

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